Chappie is, well, you know…

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I can see it now. Director Neil Blomkamp, still full of hope and promise after District 9 and only slightly tarnished from Elysium, goes into a meeting to pitch his next project, Chappie

“I have a vision for a movie about a robot. It’s a mashup of Short Circuit and Robocop. It’ll be great! And to ensure that we get the young adult crowd, we’ll give it a hard R rating!! Whattayasay???”

Investors are still unconvinced and so he continues on:

“Look, I’ve got a stellar cast lined up. We’ll have Sharito Copley do the motion capture for Chappie, my buddy Dev Patel will be the scientist/creator, Yo-Landi Visser and Ninja will be the criminals you can’t help but love, Sigourney Weaver will be the clueless CEO and Wolverine himself, Hugh Jackman will be our villain!! Heck, I’ll even get Hans Zimmer to do the music It can’t miss!!! Whattayasay?????”

Of course, the movie gets greenlit. It does sound great! Unfortunately, the reality is far removed from the vision.

Chappie depicts a world in the not too distant future where Robots are being used as the main force in augmenting the abilities of the local police to combat crime. They are called Scout Drones and are the creation of  Deon Wilson (Patel). His main rival is Vincent Moore (Jackman), who has created another type of robot called MOOSE that is the mother of all overkill in modern weapons. Moose is big, has machine guns, as well as Cluster bombs.

Wackiness ensues when Deon, who is ready to test a program that will make artificial intelligence sentient, uses the new program on a Scout that is scheduled to be scrapped. Through a series of events, Vincent discovers what Deon has done and plots to use the situation to discredit Deon and gain support for his MOOSE program. Things are complicated when the now sentient robot, called CHAPPIE, winds up being “raised” by a group of criminals that want to use him to pull off one big heist. He winds up talking like the gangsters that are raising them and even emulates their body language. 

Chappie excels in the integration of the motion capture work of Sharito Copley to bring the sentient robot to life. The cinematography is exceptional and creates a believable atmosphere of squalor coupled with technological achievement. The scenes where Chappie is abandoned and experiences the cruelty of man firsthand can be jarring and echoes incidents of abuse that are all too often parts of our reality.

The film breaks down with incredibly huge, gaping holes in its internal logic. Chappie has the intelligence of a newborn when he first awakens. However, without explanation, he matures mentally to a young teenager. I can accept that the AI can develop more quickly than a human, but there is no context to show how fast he learns or how he gains the knowledge to use the skills he demonstrates. He also makes an unexplained leap from the mind of a child with no experience regarding computer science, programming or computation to being able to develop a way to transfer a consciousness from one body to another.

I could ignore these potholes and chock it up to editing, however there is one major plot point upon which the movie turns, that is unforgivable. Chappie possesses a CPU that acts as a “key”. It connects him to the rest of the Scout drone network.  In a particularly disturbing scene, Vincent captures Chappie and removes the key so that he can disable the network and create a situation that can only be resolved by deploying the MOOSE unit. The plan is put into effect and the network is shut down. INCLUDING CHAPPIE. HUH? He’s not connected to the network anymore so how is this possible? Later in the movie, Chappie is able to accomplish a major plot point by entering the network, BUT HE STILL DOESN’T HAVE THE KEY! 

In my opinion, gaping lapses in story logic is an unforgivable sin that ruins  my ability to enjoy a film.

Ultimately, Chappie is a disappointment because no matter how well intended the allegory, if you don’t follow the rules you set up in your story, your message doesn’t matter.

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