Let’s get this out of the way first. Hot Tub Time Machine 2 is bad. It’s really bad. It’s so bad that it took me days to figure out what to say about it. This film was made by people that actually have credentials in filmaking and acting. Steve Pink is the director and writing credit goes to Josh Heald. It stars Rob Corddry, Craig Robinson, Clark Duke and Adam Scott. Gillian Jacobs, Collette Wolfe and Bianca Haase provide the eye candy for this film.
Characters from the first Hot Tub Time Machine movie (minus a very wise John Cusack), return for more time hopping shenanigans. In the present, Lou is grievously and supposedly hilariously wounded. Lou, Nick and Jacob use the hot tub time machine to go back in time to stop Lou’s assailant. However, they somehow wind up in the future with Adam Jr. and wackiness ensues that affects the time stream.
I’m not really sure if the working script used to film this thing was anymore complicated than my previous paragraph. This film is lacking a coherent plot, logical sense of direction and is a waste of the actors talent and an insult to its audience. I really enjoyed Craig Robinson and Clark Duke in The Office and Adam Scott does a terrific job in Parks and Recreation. However, they are working with material that is incredibly weak and they try to do the best they can with it.
When I look at the full cast and crew on IMDB for this film I am amazed at the hundreds of people that worked on it. There are some truly talented folks that were involved with this project. I place blame on the studio that ok’d this project and the writer and director that provided such poorly conceived material.
Hot Tub Time Machine F
The Imitation Game is the Oscar nominated film directed by Morten Tyldum, and starring Benedict Cumberbatch as Alan Turing, Keira Knightley as Joan Clarke, Matthew Goode as Hugh Alexander, and Rory Kinnear as Detective Robert Nock. It is based on the book titled Alan Turing: The Enigma by Andrew Hodges.
People tend to forget that when a film is portrayed as being based on something that it means exactly that. This is not a documentary and is not a faithful, historical recreation of Alan Turing’s life. What this film does is take 3 specific time periods in Alan Turing’s life and weaves a story about the race to break the codes of the Nazi Enigma machine to help hasten the end of WW II.
Tyldum does a masterful job of creating an interweaving story that shows Turing’s relationships with the men (and woman)he worked with on the top secret Government Code and Cypher School at Bletchley Park, the impact of his experiences as a young boy in boarding school and his friendship with Christopher Morcom, and finally, the consequences in 1951 for Alan Turing after he is investigated by the police for suspicious behavior.
The film works on so many levels. It is a thriller, a mystery and a tale of prejudice and discrimination. We get a glimpse into the turmoil that Turing must have experienced during his life as a gifted genius who also happens to live in a society where homosexuality is a crime punishable by either prison or chemical castration. It serves as perfect metaphor for so many people today who may be gifted in a variety of areas, but are experiencing prejudice and discrimination in their own lives.
A director working on a biographical/historical film has a couple of innate problems that must be dealt with, regardless of the subject matter. In an interview with Time magazine, Mr. Tyldum is quoted as saying:
“It’s a huge responsibility when you’re dealing with real-life persons and real-life events to do it accurately. Of course, you have to compress a lot into two hours, and there’s no way you can be totally accurate. You have to convey the emotional accuracy—how did Alan Turing feel at this time?—and to do that, you sort of have to dramatize events.
That’s why I wanted it to feel like a thriller. He was 27 years old when he came to Bletchley Park, where the code-breakers worked. Here was this man plucked straight out of Cambridge. And he ends up with all these incredible secrets being dumped on his shoulders and all this incredible pressure. It would be as if he was living in the middle of this wartime spy thriller, so that’s what we wanted to convey.
One thing people have been saying is it’s not accurate that the machine he built was named Christopher. Here’s the fact though: The machine was inspired by Christopher. We know this because he wrote letters to Christopher’s mom his whole life. We know that from his journals, his obsession about recreating a consciousness that he lost—Christopher. How do we communicate that onscreen without making it a lecture? By naming the machine Christopher.”
The Imitation Game is not the only Oscar nominated biographical film to come under scrutiny this year. American Sniper has had its own share of critics for not being an accurate portrayal of Chris Kyle.
The biographical film will hopefully accomplish several goals. It should give the audience a snapshot of the subject and the circumstances that make this a significant period to observe. It should also create a need to know. What’s the full story? Why did this happen? What impact does it have on my life? In my case, I felt both films were very successful. I researched the lives of both men after I saw those films. When I discovered the differences it did not make me feel like I had been cheated or lied to. Instead, I felt that I was now more educated about events and issues that I had previously been ignorant about.
See The Imitation Game. You might discover some things you didn’t know before. It’s then up to you to find out if you were manipulated or educated.
The Imitation Game-A
We’re all familiar with the James Bond tropes before the current Daniel Craig outings. The typical plot line goes something like this: There’s an over the top threat to the world and James must save us by infiltrating, seducing and fighting his way across several exotic locations before a final showdown where he barely defeats the villain and is rewarded with copious amounts of sex as credits roll. Be assured that there are plenty of quips and double entendres along the way and that there is a diabolical henchman involved possessing some skill or physical attribute that makes it seem like our hero has no chance of victory.
Kingsman: The Secret Service takes these familiar plot lines and gives it a hard R twist with its violence. It is loosely based on comic titled The Secret Service by Mark Millar and Dave Gibbons. It is directed by Matthew Vaughn and stars Colin Firth, Mark Strong, Taron Egerton , Samuel L. Jackson and Sophie Cookson.
The film opens in 1997, where we see 4 men interrogating a captured terrorist. The terrorist raises his head to reveal a grenade pin in his mouth. One of the interrogators throws himself on top of the terrorist, thus saving the others. Colin Firth’s character, Harry (codename Galahad), was in charge of that mission. Harry visits his fallen friend’s wife and attempts to give her a medal in her husband’s memory. There is a phone number on the back of the medal in case she needs a favor, and to say “Oxford’s not brogues” to confirm her identity. She rejects the medal and so Harry give the medal to her son, Gary.
17 years later, another Kingsman operative is attempting the rescue of a kidnapped Professor. The operative is almost successful until he is killed in over the top fashion by Gazelle, a female assassin with bladed prosthetic legs.
This opening sequence sets up the plot threads for the film. Harry takes the teen, Gary, under his wing and begins his training to become a member of the Kingsmen. The scenes trade off between Gary and other candidate’s training and those that further reveal the villainous intentions of Sam Jackson’s Mr. Valentine.
Kingsman entertains with action set pieces that defy physics and ramp up the budget for blood spatter. One of the highlights of the film is an extended sequence that takes place in a church. Mr. Valentine (Samuel L. Jackson, speaking in only the 2nd most annoying voice this year, has created technology that uses cell phone signals to turn people into murderous hordes. His first test case of the mass murder network he created is in this church. We see an incredibly choreographed sequence of death and destruction in excruciating detail and slow motion that leaves Harry as the sole survivor. Upon emerging from the church, Harry regains his composure and has a fateful encounter with Mr. Valentine. This sets up the plot for the final act of the film.
Kingsman is a fun action movie for its demographic. My problem with the film is that I’m not sure how to take violence that is shown in such gleeful, glorious detail and I’m definitely uncomfortable with the notion of a female character offering sex as a reward for her freedom. (Admittedly a staple of the Roger Moore James Bond years, but at least it was inferred and not graphically described).
Should I take this as just a modern take on an old formula or should I take it as where we’ve come as a society because we are so desensitized to sex and violence in today’s cinema? I think the answer to this may unfortunately say more about us than it does about the film.
Kingsman: The Secret Service-B
Remember The Matrix? Remember how groundbreaking that movie was? Do you remember how it was hailed as an instant classic and how it became an iconic film? Remember how the Wachowski’s were being anointed as the next wunderkind of Cinema? Now think about the reception of The Matrix Reloaded and The Matrix Revolutions achieved. These films came nowhere close to fulfilling the promise that was first seen in the Wachowski’s future.
The film is a rehash of an old Space Opera Trope. Jupiter is the reincarnated Queen of an alien race. The current rulers somehow miraculously know of her existence and must either kill or gain control of her or else their way of life is over. (Why? Who knows? Just roll with it.) A dashing hero is dispatched to protect Jupiter and help her save Earth as well. Wackiness ensues, yada, yada, yada, explosions, love blooms, roll credits.
It’s really not anymore complicated than that. The story is pretty bare bones and has some cringeworthy dialogue (“Bees are genetically engineered to recognize royalty” comes to mind.) It’s also the home of one of the strangest acting choices in recent memory. Eddie Redmayne plays Balem Abrasax, the current ruler of this part of the universe. He speaks with such oddly annoying tone to his voice that he comes across more as laughable than credible.
However, the film excels in its cinematography and special effects. It is a gorgeous film to look at. The designs of the ships are creative and other worldly looking. The battle scenes, whether on the streets of Chicago, or in deep space draws the audience in and provides a roller coaster type experience that is difficult to find in a movie theater.
Mila Kunis does a great job in the title role. She is capable of playing the range of emotions necessary of this role to make her truly enjoyable to watch. Channing Tatum was a good choice for the role of Caine and has good chemistry with Ms. Kunis.
This could have been an epic film if the script had received as much attention as the cinematography and effects. As it is, we have something that is pretty exciting to look at but very dull to listen to.
Jupiter Ascending: C